Cinematic Rock and Hard Place:
One of my favorite questions to ask fellow cine-heads is "What movie did you dislike that everyone else loved and how did you deal with it?" Thankfully, I don't find myslef in this position very often, because when I do, it ties me in knots, like trying to explain fireworks to a blind man.
So it must have been my time last night when I went to a late show of The Constant Gardener at the 4-Star, propelled by a rave review from Dave, and then walked out in the middle.
Maybe I'm too literal but in a film billed as a thriller, I expect, well, thrills. Not the roller coaster kind but tension, something that welds me to my seat out of both fear and searing curiosity. The Constant Gardener has none. It's a story about a man whose wife is murdered while she's working to expose the immoral collusion of local government in Africa and western drug companies who use the continent and its citizens as one big testing lab. The man goes looking for who may have done such a horrible thing. Trouble is, we already know. We know the answer will be a corporate conspiracy with doors opened by corrupt governments and greed as the prime mover. We know all this by minute 20 so watching him figure it out isn't compelling. It's like hearing a joke repeated seven different ways. And then seven more.
Fernando Meirelles directed this movie along with the equated-with-the-second-coming City of God, which I liked ok and reviewed for Film Critic.com. But this man has a problem I see him not learning form: So far, he's 2-for-2 in choosing precisely the wrong directorial style for the story he's telling. City of God is a painful, violent, coming-of-age fable told with the slickness of an MTV Video. Gardener, based on spymaster John Le Carre' novel, has all the snap of wet rag. Pacing is casual, bordering on languid. The first plot point takes 40 minutes to drop and the investigation doesn't get moving until minute 90. Between them are two dozen scenes which say, in two dozen ways, that Things Are Not What They Seem.
It doesn't work. Not at all. I feel like Gardener is supposed to rivet me or at least move me to shake my fist in anger. I was too mystified then bored to do either.
Anybody else see this movie? What did I miss?








